By Bil Donovan
»Advanced style Drawing» is a realistic booklet exhibiting tips to illustrate for the style and way of life market.
Renowned type illustrator Bil Donovan exhibits easy methods to create an indication with a feeling of favor,
rather than person who concentrates completely at the style determine.
A sequence of demonstrations and routines support the complex representation scholar hone their talents and elevate
their point of draftsmanship, whereas setting up their very own own variety.
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Extra info for Advanced Fashion Drawing. Lifestyle Illustration
The blueprint is the initial step from which you can build; with a solid foundation to start from, the possibilities are endless. In the previous chapters, we used selectivity to elicit a stronger graphic image. Selectivity will again be a constant companion to the use of shape in this chapter; you will be asked to think first and use your mind more than your drawing medium. When observing the figure we see a composite of light and value, textures and patterns, colors, lines, and folds. It can seem overwhelming to the untrained eye.
Selectivity will have guided your observation and will have resulted in a well-thought-out drawing and composition. Now we will up the ante and communicate the figure in five shapes. Following the same guidelines as in the three-shape exercise, continue to observe, think, and create. This time, if it seems applicable, add the negative shapes as well. You can either add these after all five shapes are complete or as you work through the figure. Preparation For this exercise, the following supplies are necessary: One pad of 18 x 24in (A2) white all-purpose paper or comparable Charcoal pencils—hard to medium Kneaded eraser Opposite: Michael Roberts’s witty image, from his book Fashion Victims, illustrates the perils of walking in high heels on the sidewalk and is an exercise in the minimal use of shapes.
Look at the figure’s right upper torso and arm where there are no additional shapes, or very few, whereas the area immediately adjoining it—the waistline and scarf—are filled with more shapes. The “blank” area is contrasted by a more patterned area, the one framing the other. Figure 3 is a combination of interesting shapes—contrasting, complementary, large, small. In Figure 4, additional details begin to occupy these shapes, like towns and villages in the various countries of a map, giving depth to the head, defining and contrasting the fabrics of the large evening coat and the intricate bodice, and introducing narrow horizontal details to the waistband and hemline of the skirt to echo and reinforce each other.
Advanced Fashion Drawing. Lifestyle Illustration by Bil Donovan