New PDF release: ArtTalk, Student Edition (4th Edition)

By Glencoe McGraw-Hill

ISBN-10: 0078305993

ISBN-13: 9780078305993

The appropriate mix of paintings feedback, paintings heritage, aesthetics, and studio construction.

ArtTalk has increased its assurance of artwork historical past, bolstered its know-how integration good points, and put extra emphasis at the appearing arts - all whereas preserving its specialise in a media method of the weather and ideas of artwork.

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Extra resources for ArtTalk, Student Edition (4th Edition)

Example text

3 cm (55 ϫ 45Љ). The Museum of Modern Art, New York, New York. Given anonymously. © Estate of José Clemente Orozco/SOMAAP, Mexico/Licensed by VAGA, New York, NY. 4 Your interpretation of this work will depend on the clues you have collected during the first two steps of art criticism—description and analysis—plus your personal life experiences. People have different experiences which will produce a variety of interpretations, all of which could be acceptable. Hughie Lee-Smith. The Piper. 1953. Oil on canvas.

1969. Acrylic on canvas. 4 ϫ 127 cm (60 ϫ 50Љ). C. Gift of Wallace and Wilhelmina Holladay. 26 CHAPTER 2 Art Criticism and Aesthetic Judgment Art criticism is not difficult. In fact, it can be a lot of fun. At the very least, it can make the study of art less mysterious and more logical. Art criticism is a sequential approach for looking at and talking about art. Your own life experiences may also help you understand the meaning of each work of art. No one has done or seen exactly the same things you have, so no one will see exactly what you see in a work of art.

Similar figures and objects are present in both paintings—the artist, the easel with the unfinished painting, the child who appears to be the subject of the artwork in progress, the dog, and the figure in the door. Compare these objects with the ones depicted in Velázquez’s work. What has Picasso done to make the work uniquely his own? Do you think he was exhibiting a sense of humor? Pablo Picasso. Las Meninas (after Velázquez). 1957. Oil on canvas. 6 m (6' 63ր4" ϫ 8' 63ր8"). Museo Picasso, Barcelona, Spain.

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ArtTalk, Student Edition (4th Edition) by Glencoe McGraw-Hill


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