By Christine Petto
Mapping and Charting for the Lion and the Lily: Map and Atlas construction in Early smooth England and France is a comparative learn of the construction and function of maps, charts, and atlases in early glossy England and France, with a selected concentrate on Paris, the cartographic heart of creation from the past due 17th century to the overdue eighteenth century, and London, which started to emerge (in the overdue eighteenth century) to eclipse the as soon as favourite Bourbon heart. the topics that hold throughout the paintings handle the position of presidency in map and chart making. In France, particularly, it's the significance of the centralized executive and its help for geographic works and their makers via a huge and deep institutional infrastructure. ahead of the past due eighteenth century in England, there has been no primary controlling supplier or establishment for map, chart, or atlas creation, and any authentic energy was once imposed in the course of the industry instead of during the institution of associations. there has been no centralized help for the cartographic company and any attempt by means of the crown used to be usually challenged by way of the ability of Parliament which observed little price in fostering or assisting scholar-geographers or a countrywide survey.
This booklet starts off with an research of the imagery of strength on map and atlas frontispieces from the past due 16th century to the 17th century. within the succeeding chapters the point of interest strikes from county and nearby mapping efforts in England and France to the “paper wars” over encroachment of their respective colonial pursuits. the ultimate research seems at charting efforts and highlights the position of presidency help and the industrial exchange within the improvement of maritime charts not just for the house waters of the English Channel, however the far-off and hazardous seas of the East Indies.
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Extra resources for Mapping and Charting in Early Modern England and France: Power, Patronage, and Production
1540–1610) produced his Atlas of the Counties of England and Wales. It included thirty-five maps—thirty-four regional or county maps covering fifty-two counties and a general map of England and Wales—all of which carried the royal arms, the arms of Thomas Seckford, Master of the Queen’s Court of Requests and future Surveyor of the Court of Wards, and the identification of Saxton as the author. 1). As a participant in the multiple media program, the frontispiece of this work, among the early emblematic English title pages, visually reads as a declaration of authority, since between the covers of this atlas lay the depiction of Elizabeth’s dominion.
In the upper left corner was the view of the city from Montmartre. In the frame of representation of the map itself, Gomboust located two scenes with figures that participated in the “myth” of the mimetic representation of the city. 71 Just to the right of Louis’ monument and bringing the viewer back into the plane of representation of the map, a horseman and his servant running behind travel towards the city but take in the view that sprawls out in front of them, a view that might resemble that from Montmartre depicted in the upper left corner.
As Henri wearing a laurel wreath with his full armor (no helmet) reached out to take the city, the young woman placed her other hand on her heart in what was reportedly a Catholic gesture. 56 As Henri’s horse rears up, one can see the enemies of the king and their arms lying in defeat as one Leaguer begged the king for mercy. ” 58 The image and phrases celebrate the victory of Henri IV and the submission of Paris to this “most Christian” king. In the lower left corner, the royal privilege and the scale of measures using the French toises participated in this royal relationship.
Mapping and Charting in Early Modern England and France: Power, Patronage, and Production by Christine Petto